Imagery in the Novel A Case of Exploding Mangoes by Mohammed Hanif

Abstract

This study aims to conduct a comprehensive analysis of the various forms of imagery, and their corresponding meanings within the novel The Case of Exploding Mangoes by Muhammad Hanif. Perrine's framework serves as the foundation for this research. Additionally, the study employs the New Criticism theory, as imagery is considered an intrinsic element of literary analysis. The research methodology employs a qualitative descriptive approach for data collection, focusing on the narrative text of the last chapter of the novel to fulfill the study's objectives. The results of the findings and discussion reveal that is visual imagery becoming the majority used in the last chapter of the novel and gustatory imagery becoming the least amount of used.  From the in-depth analysis of these images, seems like the author's primary intention is to engage visual senses which can enhance reader comprehension by creating a vivid, immersive, and clear portrayal experience throughout the story. This study illustrates how imagery influences readers' perceptions and raises the level of engagement with the story's narrative. Future research may examine more closely how various types of imagery interact with other literary devices in the novel or compare Hanif's use of imagery to other contemporary works to get a deeper understanding of the significance of imagery in modern literature.